Showing posts with label memorization. Show all posts
Showing posts with label memorization. Show all posts

Monday, May 22, 2006

Practice: Stuck in Your Head

When I started learning to play the whistle I chose tunes based on what other people I knew were playing and which tunes I liked at the moment. But lately I've been using a different strategy, with great results.

Ever hear of an earworm? It's just a word for songs which get "stuck in your head." Not surprisingly, this started happening with tunes as I started listening to more and more Irish and Scottish music. One day, unable to get "Harvest Home" out of my head, I decided to put my affliction to good use and learned the tune. I found I was able to memorize it in about half an hour or so, instead of the large number of days it had taken me to memorize tunes the past.

Since then, I've seen "earworms" as opportunities. Whether or not a tune is on the list of tunes I think I want to learn soon, when it gets stuck in my head I work on learning the tune. I find that having the tune cycling in my head means that I'm less likely to have my own mistakes confuse me as to how the tune actually goes. This is part 1 of the basic two-step process for learning a tune.

Thursday, April 27, 2006

Practice: Methods of Memorization

One of the things I like about learning to play the tin whistle and Irish and Scottish music is that my constant need to memorize new tunes (and songs, as I like to sing) is giving me a real mental workout. My day job also requires me to remember large amounts of information, but memorizing tunes seems to work a different part of the brain. Research indicates that "mental exercise" can reverse the decline in brain function in old age, so the more the better!

I notice, though, that the method I use to learn a tune has changed since I took up the instrument last year. Previously I would play the tune through until I no longer required notation (I wasn't doing much ear learning at the time). Now, however, I find it much more effective to learn a measure or a phrase and then build on that, one piece at a time. This seems more effective both when learning from score or by ear for me.

I spoke to a fiddler who uses a third method. He learns the first note of each measure or phrase — the "outline" of the tune — and then fills in the rest.

I don't know if any one of these methods is "best," but it's interesting that there are different ways to do the same thing.