Idir Deighric 'Gus Breo'

I just learned this slow air from the playing of Matt Molloy. It's another great track from Heathery Breeze. It's a short, simple tune, and Molloy plays it in D, so it's easy to pick up. It's beautiful on both the flute and the whistle. I've seen it listed as a waltz, but I think it would be a mistake to play it that way, in spite of the time signature. Molloy's version really makes the most of the freedom which comes from playing it as an air. The tune is in A mixolydian.

Like a lot of slow airs, this one comes from a song. You can hear the song, or a version of it called "Idir Áird Mhór Is Eochaill," anyway, on Danú's All Things Considered. I also found a transcription and translation of the words that Ciarán Ó Gealbháin sings. This review says that he got it from the singing of Éibhlis Bean de Paor from An Sean Phobal. The melody of Molloy's track is pretty much the same, but the places in the title are different.

What does "Idir Deighric 'Gus Breo'" mean? Well, "Idir" is "Between." "Gus" appears to be a contraction of the Irish "agus" (and), and Deighric and Breo are mountains in Co. Waterford. The Waterford County Library says that the names "defy analysis, and are evidently, like many mountain and most river names, of great antiquity." So my rough translation of the title is "'Tween Deighric 'n' Breo."

Drowsy Maggie

I like the reel Drowsy Maggie. It's easy to learn and fun to play. I learned it from Matt Molloy's recording on Heathery Breeze, and, as I see no reason to play any tune faster than Molloy, it usually sounds rushed to me when I hear it in a session. It's a beautiful tune played slowly, I think. Anyway, here are some good sources for the tune.

• Here's Séamus Ennis playing it on the pipes. He includes the infrequently-heard-but-traditional third part.
• Paddy Killoran's fiddle recording.
• As above, Molloy's recording is my favorite. He plays it relatively slowly on the B♭ flute, giving it a stirring power.
• Altan play a breakneck "Northern version" of the tune on Harvest Storm. It's way too fast for my taste, but it's an interesting version of the tune, and they end the set with the spectacular Altan original reel "Harvest Storm," which is itself a great tune, and, I think, more suited to the blistering speed of the set.

Some Tunes

I don't know if this is great reading or not, but here are some tunes I'm learning right now and the recordings I'm using as references:

• Trip to Athlone (track 4 of Colm O'Donnell's Farewell to Evening Dances). O'Donnell plays it together with The Blackthorn Stick; the two sound great together. This one is hard for me to play on the flute since it goes from first-octave A to low D to second-octave E, necessitating changes in embouchure.
• I Buried My Wife... (Tara Bingham's recording from An Gaoth Aduaidh) Matt Molloy performs this on Heathery Breeze as Frieze Britches (where it's incorrectly identified as a slip jig in the liner notes, which confused me for some time when I first bought the album!), but his version is too fast/complicated for me to keep up with, though very nice for pure listening! Bingham's recording is slower and less heavily improvised. Liam O'Flynn plays it on Come West Along the Road.
• Rolling In the Ryegrass (June McCormack's recording from the CDs which accompany her tutor Fliúit). CCÉ's Foinn Seisiún 1 CDs have a recording of this (as Shannon Breeze), which you can download for free from their site, but I find McCormack's tone and performance inspiring.

Come West Along the Road

Are you (if you're a U.S. resident) a Netflix member? If so, you might be interested to know that Netflix has Come West Along the Road, one of RTÉ's DVD compilations of music recordings from its archives.

Like a lot of compilations, it's a mixed bag. But there's some brilliant material on the DVD. There is (brief, unfortunately) footage of Frankie Kennedy, Mairéad Ní Mhaonaigh, and other Ó Maonaigh family members playing in a pub in Gaoth Dobhair. There's footage of Joe Cooley, Denis O'Brien (Donncha Ó Briain), Tommy Peoples, and Matt Molloy.

While I was watching one of the segments — it must have been Planxty or The Bothy Band — my wife came into the room and said, "They look like hippies!" I laughed and replied, "They are hippies; this was taped in 1973!"

Sure, most of this has been pirated onto YouTube, but the DVD quality beats the heck out of Flash video. I'm not sure I'd pay $30 for it, but getting it "for free" (as a Netflix subscriber) is a great deal!

Technique: Speed Limit

A good quote from a friend of Brad Hurley, related by Brad on the Chiff and Fipple flute forum:

...playing good tunes too fast is "like roller-skating through the Louvre."

Isn't that the truth? I love Altan, but sometimes they play stuff incredibly fast. For example, I much prefer Matt Molloy's version of Drowsy Maggie to Altan's, mostly because of the more relaxed pace in Malloy's recording. (They play somewhat different versions of the tune, but it's really the pacing which makes the biggest difference to me.)

Some tunes sound really good played quickly, though. I really like Altan's "Tommy Peoples" set on Local Ground. "Harvest Home" and "John Ryan's Polka" also sound good when played really fast, I think.